IfΒ a disruption in the spacetime continuum would happen right now, can you imagine how your day would be different? If temporal anomaly indeed become a real thing, and you are aware of it, what would you be doing right at this moment? If the rest of the world doesn’t know, but it’s just you who knows there’s temporal anomaly, living the same day again and again, how do you think you would be handling it? Well, having infinite second chances on a single day would add some spice to life, wouldn’t it?

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If, suddenly, time is looping, where do you want to find yourself again and again? Where do you want to get stuck? How long do you want it to stay? In a way, what is the most notable and favorite moment of your life that you want to circle back to?

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What could be worse than seeking destruction for every part of the day? For everyday and night? A constant feed for your eyes and ears? Bereft of things that can originate from yourself? Desperation to be away from yourself before it devour you as a whole? A mortal enemy of your own company? That is how the world ends. When you start being afraid of your own self and thoughts!

Scars into Stars [Final Confession]

𝙸 πš‘πšŠπšπšŽ πš›πšŽπšœπš˜πš•πšžπšπš’πš˜πš—πšœ. 𝙸 πš‘πšŠπšπšŽ πš™πš•πšŠπš—πš—πš’πš—πš πšπš˜πš› 𝚊 πš’πšŽπšŠπš› πš’πš— πšŸπšŠπš’πš—. πšƒπš‘πš’πšœ πš–πš’πšπš‘πš πšœπš˜πšžπš—πš 𝚊 πš›πšŽπšœπš˜πš•πšžπšπš’πš˜πš— 𝚝𝚘 𝚒𝚘𝚞 πš‹πšžπš πšπš‘πšŽ πš˜πš—πšŽ πšπš‘πš’πš—πš πšπš‘πš’πšœ πš’πšŽπšŠπš› πš‘πšŠπšœ πšπšŠπšžπšπš‘πš πš–πšŽ πš’πšœ πšπš‘πšŠπš 𝚒𝚘𝚞 πšπš˜πš—’𝚝 πš™πš•πšŠπš— πšπš˜πš› 𝚊 πš’πšŽπšŠπš›. 𝚈𝚘𝚞 πš™πš•πšŠπš— πšπš˜πš› 𝚊 𝚍𝚊𝚒. π™ΌπšŠπš’πš‹πšŽ 𝚊 πš πšŽπšŽπš” 𝚊𝚝 πš–πš˜πšœπš. π™°πš—πš πšπš‘πšŽ πš•πšŽπšœπšœ 𝚒𝚘𝚞 πš™πš•πšŠπš—, πšπš‘πšŽ πš•πšŽπšœπšœ 𝚒𝚘𝚞 πš πš’πš•πš• πš‹πšŽ πšπš’πšœπšŠπš™πš™πš˜πš’πš—πšπšŽπš πš‹πš’ πšπš‘πšŽ πšŒπš˜πš–πš’πš—πš πšŽπšŸπšŽπš—πšπšœ. π™°πš—πš 𝚒𝚘𝚞 πš πš’πš•πš• πš‹πšŽ πšŠπš‹πš•πšŽ 𝚝𝚘 πšŽπš—πš“πš˜πš’ πšπš‘πšŽ πšœπš™πš˜πš—πšπšŠπš—πšŽπš’πšπš’ 𝚘𝚏 πš•πš’πšπšŽ πš’πš— πšŠπšπšŸπšŠπš—πšŒπšŽ!

πšƒπš‘πšŽ πš™πšŽπšŒπšžπš•πš’πšŠπš›πš’πšπš’ 𝚘𝚏 πšπš‘πš’πšœ πš’πšŽπšŠπš›(πšπš˜πš› πš–πšŽ) πš’πšœ, πš’πš’𝚜 πšπšžπš•πš• 𝚘𝚏 πšœπšŒπšŠπš›πšœ. πšƒπš‘πšŽ πšœπšŒπšŠπš›πšœ 𝙸 πš πš˜πš—’𝚝 πšπš˜πš›πšπšŽπš πšπš˜πš› πš•πš’πšπšŽ. 𝙸 πš‘πšŽπšŠπš›πš πš–πšŠπš—πš’ 𝚜𝚊𝚒 πš’πš πš πšŽπš—πš 𝚝𝚘𝚘 𝚏𝚊𝚜𝚝, πš†πšŠπšœ πš’πš πš›πšŽπšŠπš•πš•πš’ πŸ·πŸΈπš–πš˜πš—πšπš‘πšœ πšŠπš—πš 𝚎𝚝𝚌. π™±πšžπš πšπš˜πš› πš–πšŽ, πš’πš πšπšŽπš•πš πš•πš’πš”πšŽ 𝙸 πš•πš’πšŸπšŽπš πŸΈπš’πšŽπšŠπš›πšœ πšŒπš˜πš–πš‹πš’πš—πšŽπš πš’πš— 𝚊 πšœπš’πš—πšπš•πšŽ πš’πšŽπšŠπš›. π™΄πš’πš—πšœπšπšŽπš’πš— 𝚜𝚊𝚒𝚜 “πšƒπš’πš–πšŽ πšπš•πš’πšŽπšœ πš πš‘πšŽπš— 𝚒𝚘𝚞’πš›πšŽ πš‘πšŠπšŸπš’πš—πš πšπšžπš—”. πšƒπš‘πšŠπš πšœπšπšŠπšπšŽπš–πšŽπš—πš πš—πšŽπšŸπšŽπš› πš–πšŠπšπšŽ πšœπšŽπš—πšœπšŽ πš‹πšŽπšπš˜πš›πšŽ.

π™°πš—πš’πš πšŠπš’πšœ, πšœπšŒπšŠπš›πšœ πšŒπšŠπš— πš‹πšŽπšŒπš˜πš–πšŽ πšœπšπšŠπš›πšœ. π™Έπš πš–πš’πšπš‘πš πšœπš˜πšžπš—πš 𝚊 πš•πš’πšπšπš•πšŽ πš‹πš’πš πš–πš˜πšπš’πšŸπšŠπšπš’πš˜πš—πšŠπš• πšœπš•πš˜πšπšŠπš—. π™±πšžπš πšπš‘πšŽ πšπš›πšžπšπš‘ πš’πšœ πšŽπšŸπšŽπš— πšπš‘πš˜πšžπšπš‘ πšπš‘πšŽ πšœπšŒπšŠπš›πšœ πš πš˜πš—’𝚝 𝚏𝚊𝚍𝚎 𝚊𝚠𝚊𝚒 𝚊𝚜 𝚒𝚘𝚞 πš‘πš˜πš™πšŽ 𝚜𝚘, πšπš‘πšŽπš’ πš πš’πš•πš• πšœπš‘πš’πš—πšŽ πš‹πš›πš’πšπš‘πšπšŽπš› πš•πšŠπšπšŽπš›. πšƒπš‘πšŽπš’ πš πš’πš•πš• πšπšŽπš•πš• πšπš‘πšŽ πšœπšπš˜πš›πš’πšŽπšœ 𝙸 πš πš’πš•πš• πš—πšŽπšŸπšŽπš› 𝚍𝚘 𝚜𝚘. πš‚πšŒπšŠπš›πšœ πšŒπšŠπš— πš‹πšŽπšŒπš˜πš–πšŽ πšœπš˜πš–πšŽπšπš‘πš’πš—πš 𝚐𝚘𝚘𝚍. πšƒπš‘πšŽπš’’πš›πšŽ πš—πš˜πš πšŠπš•πš• πš‹πšŠπš. πšƒπš‘πšŽ πš™πšŠπš’πš— 𝙸 πšπšŽπš•πš πš πš‘πš’πš•πšŽ πšπš‘πšŽπš’ πš πšŽπš›πšŽ πš‘πšŠπš™πš™πšŽπš—πš’πš—πš πš πš˜πšžπš•πš πš‹πšŽ 𝚊 πš–πšŽπš–πš˜πš›πš’! π™½πš˜πš 𝚊 𝚐𝚘𝚘𝚍 πš–πšŽπš–πš˜πš›πš’ πš™πšŽπš› 𝚜𝚎. π™±πšžπš 𝚊 πš–πšŽπš–πš˜πš›πš’ 𝚘𝚏 πšπšŠπš›πš” 𝚍𝚊𝚒𝚜 πšŠπš—πš πš•πš˜πš—πš πš—πš’πšπš‘πšπšœ. 𝚈𝚘𝚞 πš•πš˜πš˜πš” 𝚊𝚝 πš’πš˜πšžπš›πšœπšŽπš•πš πšŠπš—πš 𝚜𝚎𝚎 πšŠπš•πš• πšπš‘πšŽ πšœπšŒπšŠπš›πšœ? π™³πš˜πš—’𝚝 𝚒𝚘𝚞 πšπš’πšŸπšŽ πšžπš™! πšƒπš‘πšŽπš›πšŽ πš πš’πš•πš• πšŒπš˜πš–πšŽ 𝚊 𝚍𝚊𝚒 𝚒𝚘𝚞 πš πš’πš•πš• πš—πš˜ πš•πš˜πš—πšπšŽπš› πš‹πšŽ πšŠπšœπš‘πšŠπš–πšŽπš 𝚘𝚏 πš’πš. 𝙸 πšπšŠπš›πšŽ πš—πš˜πš 𝚜𝚊𝚒 𝙸’πš– πšπš‘πšŽπš›πšŽ 𝚒𝚎𝚝. π™±πšžπš, πš’πš— πš™πšŠπšπš’πšŽπš—πšŒπšŽ, 𝙸 πš‘πš˜πš™πšŽ 𝙸’πš•πš• 𝚐𝚎𝚝 πšπš‘πšŽπš›πšŽ πš˜πš—πšŽ 𝚍𝚊𝚒!

π™°πšπš’πšŽπšž!

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α΄„α΄Ι΄κœ°α΄‡κœ±κœ±Ιͺᴏɴ #5

π™Έπš’𝚜 πš‹πšŽπšŽπš— πšœπšŠπš’πš πšŒπš‘πšŠπš—πšπšŽ πš’πšœ πšπš‘πšŽ πš˜πš—πš•πš’ πš™πšŽπš›πš–πšŠπš—πšŽπš—πš πšπš‘πš’πš—πš πš’πš— πš•πš’πšπšŽ. π™°πš—πš πšπš’πšπšπš’πšŒπšžπš•πš πšπš’πš–πšŽπšœ πšŒπš‘πšŠπš—πšπšŽ 𝚞𝚜 πš–πš˜πš›πšŽ πšπš‘πšŠπš— πšπš‘πšŽ πšπš’πš–πšŽ 𝚘𝚏 πšŒπš˜πš–πšπš˜πš›πš. π™°πš—πš πšπš‘πšŠπš’𝚜 πšπš‘πšŽ πš–πš˜πš–πšŽπš—πš 𝚒𝚘𝚞 πš πš’πš•πš• πšŒπš‘πš˜πš˜πšœπšŽ 𝚝𝚘 πš‹πšŽπšŒπš˜πš–πšŽ πš‹πšŽπšπšπšŽπš› πš˜πš› πš‹πš’πšπšπšŽπš› πšπš˜πš πšŠπš›πšπšœ πš•πš’πšπšŽ πš’πš— πšπšŽπš—πšŽπš›πšŠπš•! 𝙸 πšπš‘πš’πš—πš” πšπš‘πšŠπš’𝚜 πš πš‘πšŠπš πš–πšŠπš”πšŽπšœ πšŒπš‘πšŠπš—πšπšŽ 𝚐𝚘𝚘𝚍 πš˜πš› πš‹πšŠπš. π™Έπš 𝚠𝚎 πšŒπš‘πšŠπš—πšπšŽ πšπš˜πš› πš‹πšŽπšπšπšŽπš›, 𝚠𝚎 πšŒπšŠπš•πš• πš’πš πš‹πš’πšπšπšŽπš›πšœπš πšŽπšŽπš. π™±πšžπš πš’πš 𝚠𝚎 πšŒπš‘πšŠπš—πšπšŽ πšπš˜πš› πš‹πšŠπš, 𝚠𝚎 πšŠπš›πšŽ πš•πšŽπšπš πš πš’πšπš‘ πš›πšŽπšœπšŽπš—πšπš–πšŽπš—πš πšŠπš—πš πš›πšŽπšπš›πšŽπš πšπš˜πš› πš˜πšžπš› πšŽπš—πšπš’πš›πšŽ πš•πš’πšπšŽ πš πš‘πšŽπš— πš•πš˜πš˜πš”πš’πš—πš πš’πš—πšπš˜ 𝚊 πš–πš’πš›πš›πš˜πš›.

π™±πšŽπš•πš’πšŽπšŸπš’πš—πš πšπš‘πšŽ πšœπšŠπš’πš’πš—πš, 𝙸 πšπš‘πš˜πšžπšπš‘πš 𝙸 πšŒπš‘πšŠπš—πšπšŽπš 𝚊 πš•πš˜πš. π™Ώπš’πšŽπšŒπšŽ πš‹πš’ πš™πš’πšŽπšŒπšŽ πš™πšŽπš›πš‘πšŠπš™πšœ. π™΄πšŸπš’πšπšŽπš—πšπš•πš’ πšπš‘πš˜πšžπšπš‘, πš—πš˜πš πšŽπšŸπšŽπš›πš’ πš™πšŠπš›πš 𝚘𝚏 𝚒𝚘𝚞 πšŒπš‘πšŠπš—πšπšŽ 𝚊𝚝 πš˜πš—πšŒπšŽ. π™Ύπš› πš—πš˜πš 𝚊𝚝 πšŠπš•πš•. πš‚πš˜πš–πšŽ πš‹πšŽπš•πš’πšŽπšπšœ πšŠπš›πšŽ πšŠπš—πšŒπš‘πš˜πš›πšŽπš πš’πš— πš–πš’ πšœπš˜πšžπš•. 𝙸 πšπš˜πš—’𝚝 πšπš‘πš’πš—πš” 𝙸’πš•πš• πšŽπšŸπšŽπš› πšπš’πš—πš 𝚊 πš›πšŽπš™πš•πšŠπšŒπšŽπš–πšŽπš—πš 𝚝𝚘 𝚏𝚊𝚍𝚎 πšπš‘πšŽπš– 𝚊𝚠𝚊𝚒.

π™±πšžπš πšπš‘πšŽ πš›πšŽπšœπš, 𝙸 πšπš‘πš’πš—πš” 𝙸 πšŒπš‘πšŠπš—πšπšŽπš πšπš˜πš› 𝚐𝚘𝚘𝚍. 𝙸 πšπš˜πšžπš—πš 𝚊 πš—πšŽπš  πš˜πšžπšπš•πš˜πš˜πš” πšπš˜πš› πš•πš’πšπšŽ. π™½πšŽπš  πšžπš—πšπšŽπš›πšœπšπšŠπš—πšπš’πš—πš πšπš˜πš› πš™πšŠπš’πš—. π™½πšŽπš  πšŸπš’πšŽπš πšœ πšπš˜πš› πšŽπšŸπšŽπš›πš’πšπš‘πš’πš—πš. 𝙸 πš‘πš˜πš™πšŽ πšπš‘πšŠπš’𝚜 πš–πš’ πš‹πš’πšπšπšŽπš›πšœπš πšŽπšŽπš πšπš‘πšŽπš—!

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α΄„α΄Ι΄κœ°α΄‡κœ±κœ±Ιͺᴏɴ #4

π™Ύπšžπš› πš‹πš˜πšπš’ πš‘πšŠπšœ 𝚊 πš–πšŽπšŒπš‘πšŠπš—πš’πšœπš– 𝚘𝚏 πšπš’πšπš‘πš 𝚝𝚘 πšπš•πš’πšπš‘πš πš’πš— πšπš‘πšŽ πšπš’πš–πšŽ 𝚘𝚏 πšπšŠπš—πšπšŽπš›. π™±πšžπš πš πš‘πšŽπš— πš’πš πšŒπš˜πš–πšŽπšœ 𝚝𝚘 πš’πš—πšπšŽπš›πš—πšŠπš• πšœπšπš›πšžπšπšπš•πšŽπšœ, πš˜πš—πšŽ πšŒπš˜πšžπš•πš πšŒπš‘πš˜πš˜πšœπšŽ 𝚝𝚘 πšŠπšŒπššπšžπš’πšŽπšœπšŒπšŽ. π™±πšŽπšŒπš˜πš–πšŽ 𝚊 πš™πšŠπšŒπš’πšπš’πšœπš 𝚘𝚏 πšœπš˜πš›πšπšœ. π™±πšžπš πš•πš’πšπšŽ πšπš˜πšŽπšœπš—’𝚝 πšœπšπš˜πš™ πšπš‘πš›πš˜πš πš’πš—πš πšπš‘πšŽ πšπšŠπš›πšπšœ πšžπš—πšπš’πš• 𝚒𝚘𝚞 πšœπšπšŠπš›πš πšπš’πšπš‘πšπš’πš—πš πš˜πš› πš›πšžπš—πš—πš’πš—πš 𝚊𝚠𝚊𝚒 πšπš›πš˜πš– πš’πš. π™Έπš— πšœπš‘πš˜πš›πš, πš–πšŠπš—πšŠπšπš’πš—πš πš’πš! 𝙸 πšπš‘πš˜πšžπšπš‘πš πš‹πšŽπš’πš—πš πš™πšŠπšœπšœπš’πšŸπšŽ 𝚠𝚊𝚜 πš‹πšŽπš’πš—πš 𝚊 πš πš’πš—πš—πšŽπš›. π™·πš˜πš—πšŽπšœπšπš•πš’ πš’πš’𝚜 πš‹πšŽπšŒπšŠπšžπšœπšŽ πš’πš πšœπšŽπšŽπš–πšŽπš πš•πšŽπšœπšœ πšπš’πš›πš’πš—πš. π™°πš πšπš‘πšŽ πšŽπš—πš πšπš‘πš˜πšžπšπš‘, πšŠπš•πš• 𝙸 𝚠𝚊𝚜 πš•πšŽπšπš πš πš’πšπš‘ πš’πšœ 𝚊 πš—πšžπš–πš‹ πš‹πš˜πšπš’ πš™πšŠπš›πšŠπš•πš’πš£πšŽπš πš‹πš’ πšπš‘πšŽ πš›πšŽπšŒπšžπš›πš›πš’πš—πš πšŠπšπšπšŽπš–πš™πšπšœ 𝚝𝚘 πšπšŽπšœπšπš›πš˜πš’ 𝚒𝚘𝚞. π™Ήπšžπšœπš πš‹πšŽπšŒπšŠπšžπšœπšŽ 𝚒𝚘𝚞 πšœπšπš˜πš™ πšπš’πšπš‘πšπš’πš—πš, πš’πš˜πšžπš› πšœπšπš›πšžπšπšπš•πšŽπšœ πš πš˜πš—’𝚝 πšœπš˜πš•πšŸπšŽ πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ. πšƒπš‘πšŠπš’𝚜 πš πš‘πšŽπš— πšπš‘πšŽ πšŒπš˜πš—πšŒπšŽπš™πš 𝚘𝚏 πš–πš˜πšŸπš’πš—πš πš˜πš— πš‹πšŽπšŒπš˜πš–πšŽπšœ πš’πš—πšŽπšŸπš’πšπšŠπš‹πš•πšŽ. π™»πšŽπšŠπšŸπš’πš—πš πš’πš˜πšžπš› πš™πš˜πšœπš, πšœπšπšŠπš›πšπš’πš—πš 𝚝𝚘 πšπšŽπšπšŽπš—πš πš’πš˜πšžπš›πšœπšŽπš•πš, πšπš‘πšŽπš— πšπš’πšπš‘πšπš’πš—πš πš‹πšŠπšŒπš” πš πš˜πšžπš•πš πš‹πšŽ πšπš‘πšŽ πš˜πš—πš•πš’ 𝚠𝚊𝚒 𝚝𝚘 πš‹πšŽπšŠπš πš πš‘πšŠπšπšŽπšŸπšŽπš› πš’πšœ πš–πšŠπš”πš’πš—πš 𝚒𝚘𝚞 πš•πš˜πšœπšŽ! πšƒπš‘πšŽ πššπšžπš’πšŸπšŽπš› 𝚘𝚏 πš•πš’πšπšŽ πš’πšœ πšŠπš•πš πšŠπš’πšœ πšπšžπš•πš•. πš†πš‘πš’πš•πšŽ 𝚒𝚘𝚞’πš›πšŽ πšπšŽπšŠπš•πš’πš—πš πš πš’πšπš‘ πš˜πš—πšŽ πšŠπš›πš›πš˜πš , πšπš‘πšŽ πš˜πšπš‘πšŽπš› πš‘πš’πš 𝚒𝚘𝚞. 𝙸 πšπš‘πš’πš—πš” πšπš‘πšŽ πšœπšŽπšŒπš›πšŽπš πš•πš’πšŽπšœ πš˜πš— πš–πšŠπš—πšŠπšπš’πš—πš πšπš‘πšŽ πšŠπš•πš›πšŽπšŠπšπš’ πšπš‘πš›πš˜πš πš— πšŠπš›πš›πš˜πš πšœ πš›πšŠπšπš‘πšŽπš› πšπš‘πšŠπš— πš πšŠπšπšŒπš‘πš’πš—πš πš’πš˜πšžπš›πšœπšŽπš•πš πš‹πš•πšŽπšŽπš 𝚝𝚘 πšπšŽπšŠπšπš‘. π™»πš’πšπšŽ πšŠπš—πš πš’πš’𝚜 πšžπš—πš πš›πš’πšπšπšŽπš— πš›πšžπš•πšŽπšœ!πŸ˜’

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α΄„α΄Ι΄κœ°α΄‡κœ±κœ±Ιͺᴏɴ #3

πš‚πšπšŠπš›πšπš’πš—πš πšπš›πšŽπšœπš‘! 𝙸 πš—πšŽπšŸπšŽπš› πš”πš—πš˜πš  πš πš‘πšŠπš πšπš‘πšŠπš πšœπšπšŠπš—πšπšœ πšπš˜πš›. 𝙸 πš πš˜πš—πšπšŽπš› πš’πš πš’πš’𝚜 πšπš˜πš›πšπšŽπšπšπš’πš—πš πšπš‘πšŽ πš™πšŠπšœπš, πšŽπš›πšŠπšœπš’πš—πš πš’πš˜πšžπš› πš–πšŽπš–πš˜πš›πš’ πšŠπš—πš πš›πšŽπšŒπš‘πšŠπš›πšπšŽ πšπš˜πš› πšπš‘πšŽ πš—πšŽπš‘πš πš™πšŠπšπš‘. π™Ύπš› πš’πšœ πš’πš πšπš˜πš’πš—πš πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πš™πšŠπšœπš, πš•πšŽπšŠπš›πš—πš’πš—πš πš πš‘πšŠπš 𝚒𝚘𝚞 πšπš’πš πš πš›πš˜πš—πš πšŠπš—πš πš–πš˜πšŸπšŽ πš˜πš— πš‹πš’ πšŠπšŒπšŒπšŽπš™πšπš’πš—πš πš πš‘πšŠπš πš‘πšŠπšœ πš‘πšŠπš™πš™πšŽπš—πšŽπš πšŠπš•πš›πšŽπšŠπšπš’ πš‘πšŠπš™πš™πšŽπš—πšŽπš? 𝙸’πš– πšŠπš•πš πšŠπš’πšœ πšπš˜πš›πš— πš‹πšŽπšπš πšŽπšŽπš— πšπš‘πšŽ 𝚝𝚠𝚘 𝚘𝚏 πšπš‘πšŽπš–. π™Έπš— πš˜πš—πšŽ πš‘πšŠπš—πš, πš’πš πš πš˜πšžπš•πš πš‹πšŽ πš‹πšŽπšœπš πš’πš πšπš‘πšŽπš›πšŽ 𝚠𝚊𝚜 𝚊 𝚠𝚊𝚒 πšπš˜πš› πšŽπš›πšŠπšœπš’πš—πš 𝚊 πš–πšŽπš–πš˜πš›πš’. π™Ήπšžπšœπš 𝚝𝚘 πšŠπšŸπš˜πš’πš πšπš‘πšŽ πš‘πšŠπš›πš πš πš˜πš›πš” 𝚘𝚏 πšπš˜πš’πš—πš πšπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽ πšπšŽπšπšŠπš’πš•πšœ 𝚘𝚏 πšπš‘πšŽ πš™πšŠπšœπš. π™±πšŽπšŒπšŠπšžπšœπšŽ πšŽπšŸπšŽπš— πšπš‘πš˜πšžπšπš‘ 𝚠𝚎 πš–πš’πšπš‘πš πš‘πšŠπšŸπšŽ πšœπš˜πš–πšŽ πš—πš˜πšœπšπšŠπš•πšπš’πšŠ πšπš˜πš› πš’πš, πš’πš’𝚜 πšŠπš•πš πšŠπš’πšœ πšπšžπš•πš• 𝚘𝚏 πšŽπš–πš‹πšŠπš›πš›πšŠπšœπšœπš’πš—πš, πš‹πšŽπšπšπšŽπš› 𝚒𝚎𝚝 πš™πšŠπš’πš—πšπšžπš• πš–πš˜πš–πšŽπš—πšπšœ. “πšƒπš‘πš˜πšœπšŽ πš πš‘πš˜ πšŒπšŠπš—πš—πš˜πš πš›πšŽπš–πšŽπš–πš‹πšŽπš› πšπš‘πšŽ πš™πšŠπšœπš πšŠπš›πšŽ πšŒπš˜πš—πšπšŽπš–πš—πšŽπš 𝚝𝚘 πš›πšŽπš™πšŽπšŠπš πš’πš,” π™ΆπšŽπš˜πš›πšπšŽ πš‚πšŠπš—πšπšŠπš’πšŠπš—πšŠ πš πš›πš˜πšπšŽ. π™ΏπšŽπš›πš‘πšŠπš™πšœ, 𝚠𝚎 πšœπš‘πš˜πšžπš•πšπš—’𝚝 πšπš˜πš›πšπšŽπš πšπš‘πšŽ πš™πšŠπšœπš. π™±πšžπš 𝚠𝚎 πš‹πšŽπšπšπšŽπš› πšŒπš‘πš˜πš˜πšœπšŽ πš—πš˜πš 𝚝𝚘 πš›πšŽπš•πš’πšŸπšŽ πš’πš. π™ΌπšŠπš’ πš‹πšŽ πšπš‘πšŽπš›πšŽ’𝚜 𝚊 πšπš›πšŽπš’ πšŠπš›πšŽπšŠ πš‹πšŽπšπš πšŽπšŽπš— πšπš‘πšŽ 𝚝𝚠𝚘. π™½πš˜πš πš‘πš˜πš•πšπš’πš—πš πšπš‘πšŽ πš™πšŠπšœπš 𝚊𝚜 πšπš‘πšŽ πš‘πš’πšπšŽπš˜πšžπšœ πš‹πšŠπšπšπšŠπšπšŽ 𝚝𝚘 πš›πšŽπšŒπš˜πš’πš• 𝚞𝚜 πšπš›πš˜πš– πšπš‘πšŽ πšπšžπšπšžπš›πšŽ. π™±πšžπš πš‘πš˜πš•πšπš’πš—πš πš’πš 𝚊𝚜 πš˜πš—πšŽ πš™πš’πšŽπšŒπšŽ 𝚝𝚘 πšπš’πšŸπšŽ 𝚞𝚜 𝚊 πš•πš’πšπšπš•πšŽ πš™πšžπšœπš‘ 𝚝𝚘 πš”πšŽπšŽπš™ πšœπšπš›πš’πšŸπš’πš—πš. π™ΌπšŠπš’ πš‹πšŽ πšπš‘πšŠπš 𝚠𝚊𝚒 𝚠𝚎 𝚜𝚊𝚟𝚎 πš˜πšžπš›πšœπšŽπš•πšŸπšŽπšœ πšπš›πš˜πš– πšπš‘πšŽ πšŒπš˜πš—πšžπš—πšπš›πšžπš– 𝚘𝚏 πšπš˜πš›πšπšŽπšπšπš’πš—πš 𝚟𝚜 πš”πšŽπšŽπš™πš’πš—πš. π™ΌπšŠπš’ πš‹πšŽ πšπš‘πšŽπš— 𝚠𝚎 πšŒπšŠπš— πšœπšπšŠπš›πš πšπš›πšŽπšœπš‘!

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α΄„α΄Ι΄κœ°α΄‡κœ±κœ±Ιͺᴏɴ #2

π™΄πšπšŽπš›πš—πš’πšπš’ πš’πšœ πš›πšŽπšŠπš•. πš†πš‘πšŽπšπš‘πšŽπš› 𝚠𝚎 πšŠπšœπš™πš’πš›πšŽ 𝚝𝚘 πš•πš’πšŸπšŽ πš•πš˜πš—πš πš˜πš› πšœπš‘πš˜πš›πš, 𝚠𝚎 πšŠπš›πšŽ πšπš˜πš’πš—πš 𝚝𝚘 πš•πš’πšŸπšŽ πšπš˜πš› πšŽπšπšŽπš›πš—πš’πšπš’. 𝙰 πš‹πš’πš πšπš’πšœπšŠπš™πš™πš˜πš’πš—πšπš’πš—πš, πš™πšŽπš›πš‘πšŠπš™πšœ. π™±πšžπš, 𝚠𝚎 πšŒπšŠπš—’𝚝 πšœπšπš˜πš™ πš•πš’πšŸπš’πš—πš πšŽπšŸπšŽπš— πš’πš 𝚠𝚎 πšπš’πšŽ πš™πš‘πš’πšœπš’πšŒπšŠπš•πš•πš’. π™½πš˜πšπš‘πš’πš—πš πš πš’πš•πš• 𝚌𝚎𝚊𝚜𝚎 πš“πšžπšœπš πš‹πšŽπšŒπšŠπšžπšœπšŽ 𝚠𝚎 πšœπšπš˜πš™ πš‹πš›πšŽπšŠπšπš‘πš’πš—πš πšπš‘πšŽ πšŠπš’πš› 𝚘𝚏 πšπš‘πš’πšœ πš πš˜πš›πš•πš. πš†πšŽ πš πš’πš•πš• πšŒπš•πš˜πšœπšŽ πš˜πšžπš› 𝚎𝚒𝚎𝚜 πšπš˜πš›πšŽπšŸπšŽπš› πšπš˜πš› πšπš‘πšŽ πšπš‘πš’πš—πšπšœ 𝚘𝚏 πšπš‘πš’πšœ πš πš˜πš›πš•πš. π™±πšžπš πš˜πšžπš› 𝚎𝚒𝚎𝚜 πš πš’πš•πš• πš˜πš™πšŽπš— πšπš˜πš› πšŠπš—πš˜πšπš‘πšŽπš› πš˜πš—πšŽ. πš†πš‘πšŽπš— 𝚠𝚎 πšŠπš›πšŽ πš’πš— πš’πš–πš–πšŽπš—πšœπšŽ πš™πšŠπš’πš—, 𝚠𝚎 πš™πš›πšŽπšπšŽπš› 𝚝𝚘 πš‹πšŽπš•πš’πšŽπšŸπšŽ πšπš‘πšŠπš πš˜πšžπš› πš™πšŠπš’πš— πš πš’πš•πš• 𝚌𝚎𝚊𝚜𝚎 πš πš‘πšŽπš— 𝚠𝚎 πšœπšπš˜πš™ πš‹πš›πšŽπšŠπšπš‘πš’πš—πš. 𝙸 πš‹πšŽπš•πš’πšŽπšŸπšŽ πšπš‘πšŠπš’𝚜 πš πš’πšœπš‘πšπšžπš• πšπš‘πš’πš—πš”πš’πš—πš. π™±πšžπš πšπšŽπšŽπš™ πšπš˜πš πš— 𝚠𝚎 πšŠπš•πš• πš”πš—πš˜πš  πšπš‘πšŠπš πš˜πš› 𝚊𝚝 πš•πšŽπšŠπšœπš 𝚠𝚎 πšŠπš›πšŽ πšŠπšπš›πšŠπš’πš πšπš‘πšŠπš πš πš˜πšžπš•πšπš—’𝚝 πš‹πšŽ πšπš‘πšŽ πšŽπš—πš 𝚘𝚏 πš’πš. π™Ύπš—πšŒπšŽ 𝚠𝚎 πšŠπš›πšŽ πš‹πš›πš˜πšžπšπš‘πš 𝚝𝚘 πš•πš’πšπšŽ, 𝚠𝚎 πšŠπš›πšŽ πšŽπšπšŽπš›πš—πšŠπš• πš‹πšŽπš’πš—πšπšœ. πšƒπš’πš–πšŽ πš’πšœ πš˜πšžπš› πš›πšžπš•πšŽπš› πšπš˜πš› 𝚏𝚎𝚠 𝚍𝚎𝚌𝚊𝚍𝚎𝚜. π™±πšžπš πšπš‘πšŽπš—, πš•πš’πšπšŽ πšŒπš˜πš—πšπš’πš—πšžπšŽπšœ. πšƒπš’πš–πšŽ πš•πš˜πšœπšŽπšœ πš’πš’𝚜 πšŸπšŠπš•πšžπšŽ πš˜πšŸπšŽπš› 𝚞𝚜. π™°πš—πš 𝚠𝚎 πš“πšžπšœπš πš•πš’πšŸπšŽ. π™΅πš˜πš› πšŽπšπšŽπš›πš—πš’πšπš’!

https://t.me/zworldinsidemyhead

Unfinished pieces hold a great beauty. They look ugly, of course. But they do hold a great beauty in them. Don’t rush to squash them down. Hold your breath. Wait for them to arise. Give them a chance to bloom. Then, they will rise above in beauty and magnificence!

https://t.me/zworldinsidemyhead

The laughter philosophy:

The Greek philosopher Democritus was always laughing and ridiculing everything, so much so that he was known as the laughing philosopher. Legend has it that he was laughing so constantly that people thought him crazy, so they took him to the father of medicine, Hippocrates, for treatment. Hippocrates sat down with Democritus to examine him and talk to him. After a long time, he came out to people with a medical diagnosis of his condition. He said that he is not crazy at all, but that his laughter is evidence that he is the most wise and serious person, and an understanding of the paradoxes and contradictions of this life.

Violence was a natural behavior in ancient times, nature is cruel and uncontrollable, resources are few, and tribes change each other, to monopolize scarce materials. In these eras anger, violence, and strength were the advantages of survival, and ferocity in killing enemies was something to be proud of. In this atmosphere we can imagine the hungry caveman laughing happy because he found his food, while his prey writhes in pain from the spear embedded in her body.

Was laughter born in such a bloody moment?
Freud believed that irony was born from the womb of cruelty, and that it was an expression of brutality and violence. We laugh at other people’s misfortunes and stumbles to make us feel okay. We laugh at people who slip in a banana peel because it’s not us. And we laugh at the hero of the embarrassing situation that the naive hero of the movie is exposed to because we are not in his place. This kind of laughter flirts with a primitive part of our minds, when laughter was an expression of aggression, cruelty and arrogance.

But the sense of humor developed with the development of civilized and psychological human being. In civilized societies it is no longer appropriate to laugh at someone who suffers and suffers. But we may do this quite comfortably if this person is fictional, such as the hero of a tale, a joke, an actor in a comic, etc., because it is not real. Today we no longer look at ridicule as the ancients did.

Sarcasm helps a person to bear pain, it leads to optimism, and optimism leads to improving immunity and endurance. When we laugh at a problem, it is no longer a frightening thing, and it is easy for us to face it and deal with it with the least possible emotional damage. Sarcasm is not an escape. Escape is to avoid thinking about it at all. While sarcasm requires an awareness of the problem, and looking at it in a way that mitigates it, so that a person can face it afterwards.

#Philosophy

Taken from; https://t.me/isolee

SmileΒ‘

“Smile!”, they say. Despite whatever you’re feeling, just keep smiling. Even when you’re feeling the very opposite of it, you just keep smiling. That way you will avoid the negativity of the air. Because of course laughter is medicine, right?!

Is it though? Sometimes, I feel like laughter is plastering your wounded and rough emotions inside and putting the smoother ones to the outside world just to avoid attention and even help from others. Not only that, it’s also to
avoid judgement and snarky comments from the society. Who loves grumpy face anyway? So, like the many things in the world right now, a true smile is rarely found.

Here’s my argument though, what if we let our emotions to be seen? The true ones. What if we don’t always have to cover ourselves in the fake masks we build? As a society, what if we learn to show our emotions? What if that’s
the help we need? Rather than becoming superficial and pretenders, can we give ourselves a little break? May be we could even use the energy for mending ourselves more than breaking our soul in to pieces.

So, don’t just smile! Don’t show me your teeth for my own pleasure. Because when people insist on showing them your teeth, it’s not about you. It’s about the unpleasantry they want to avoid from their eyes. Try not to fall for that. Let your face to do whatever it likes to do. Relieve it from its contraction and relax. Let your smile be the genuine one from the heart!

Who Do You Want to Become in the Future?

When I was in high school, our ethics teacher once asked us what we want to become in the future. Well, everyone said something. You know, the usual. They listed tons of ‘idealistic’ things. And ofcourse, most of them were related to career and profession. Yeah, some are actually doable. But most of it was ideal.

The funny thing was though, we didn’t get the core of the question. The intent of the question was who we want to become in the future. Personality, interest, attitude and all. The wholestic version of our being. Because his next question was, are you working on that person whom you want to see in the future.

Obviously, stating what you want to become is easy. Working on the type of person you want to be is another story. I think I can say this for everyone, we were surprised. Imagine bunch of hormone enraged teenagers! And almost all of us were clueless about where we are going. The tides around us were our tour guides. We went wherever they took us.

Now looking back, after four years, I don’t recognize who I’ve become. I thought the question actually challenged my view. I really thought I started working on my whole self. But sadly, I don’t think I was. Or I was doing it wrong, may be. One thing I know is that I didn’t want to become the person whom I’ve become now.

They say, it’s never too late. I really wonder about that mostly. But I want to challenge all of you with this. Who do you want to become? Where do you see yourself after a while? Then, after listing everything that comes to your mind, plan how to bring that person into the real world. No matter how much you enjoy your fantasy world, make a move to make it real! Take a lesson from me. Drowning in your sorrow and embracing your misery is not the very place you want to find yourself after few years.

Ask yourself this: which part of me should be trimmed? Which part of me should flourish? Which part of me should I get rid of? I ain’t sure about any of it. But work on the person whom you want to become! Who knows?! Tomorrow holds millions of possibilities. Life could make you turn all the way around even. Circumstances and situations are the things we can’t control. Just try to do your best on what you can actually control. Good Luck✌✌

Exhaustion

This is a kind of exhaustion that I hate most. It’s not a kind of exhaustion sleep could fix. It’s not a kind of exhaustion food would fix either. It’s like the exhaustion is injected to every part of my body and I can feel my whole body burning out of extreme tiredness.

And no matter how many words of comfort and ‘I’m proud of you’ statements people will offer to me just to make me believe that I am doing good, my head will refuse to accept the praises and acknowledgements. All my ears could listen to is how much drained I am, how every muscle in my body is in fatigue.

I can’t even bring myself closer to my whole being. I am not on my “me” time; it’s just that my brain can’t take other things, and I want a total silence – utter silence! I am not really sure if my brain would help me with that, I mean withΒ  the utter silence. But you know, I hope it will give me the peace I want to, just to get out of my exhaustion.

All I know is this; my soul want to escape from my whole body, just to find itself wherever that’s! What can I say? Good luck my soul and find your rest!!

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